The Judy Garland-esq melodrama sounds all the more believable. The EDM craze is upon us. In a year that saw more than its fair share of changes, no one captured all that anguish quite like Bradley, who speaks for us all near the end of “Changes” when he howls, “It hurts so bad … ” Despite the stupefying power of its raw emotion, this song—Charles Bradley’s song—is a reminder that pain is a part of being human. cover) —China Reevers, With Regina Spektor’s soft whisper singing and the stellar piano arrangement of this OK Computer cut, it sounds as if the song was written just for her. The Israeli singer’s slight lisp makes the narrator sound all the more fragile on lines like “I call to you, I call to you, but I don’t call soft enough.”. Runnin’ with the Devil (Van Halen cover) —Emma Korstanje, Cayetana make the kind of chirpy, energized indie rock you’ll want to dance to or run to. Japanese Breakfast: “Dreams” (The Cranberries), 15. One of their most listened-to songs, though, isn’t even their own: Cayetana’s cover of New Order’s 1983 classic “Age of Consent” is their most-streamed song on Spotify, and—though we know this will sound blasphemous—their version rivals the original. While not unsympathetic to the character, Smith is still scornful of him, whereas Baker’s mournful voice and echoing electric guitar emit nothing but pity for the man; she seems to regret that “there’s no one to stop you.” Smith’s version is darker, while Baker’s is sadder. —Ellen Johnson, Last December, Phoebe Bridgers shared her Spotify Singles session, which included a cover of The Cure’s “Friday I’m In Love,” along with a re-recording of “Scott Street” off her latest album, 2017’s Stranger in the Alps. Following a live, sidewalk performance video of the song that went massively viral back in 2012, Lake Street Dive found a brand new audience for its particular brand of jazz-inflected indie pop/blue-eyed soul, and really, “I Want You Back” was a perfect advertisement for what makes the band so charming in the first place. Maybe it won’t make you dig out your old Crow CDs, but it’s a fine slice of work from a decade that Haim was a product of. That shocked me; Bradley’s version feels like an original, a touching ode to loss and regret that the Screaming Eagle of Soul made every bit his own. Cobain himself probably would have approved of such artistic liberty. Frank Ocean: “Moon River” (Henry Mancini). Where the original’s finale seems hopeful that maybe, just maybe, Hutchison’s ex will give him one more chance (“You should sit with me and we’ll start again / And you can tell me all about what you did today”), Baker’s version knows the answer and you can hear it in her voice, distant and longing. Regina Spektor: “No Surprises” (Radiohead), 9. James Blake: “Limit To Your Love” (Feist), 10. —Paste Staff, On her last album, Aretha Franklin Sings The Great Diva Classics, Aretha Franklin does just that—cover songs from some of the loudest, sassiest divas in history. Julien Baker: “Ballad of Big Nothing” (Elliott Smith), 11. It goes through fourteen songs in under five minutes, transforming hits by Lady Gaga, Owl City, and Taio Cruz into a sound that would have brought your great-grandparents to the dance floor. The cover is a tribute to Frightened Rabbit lead singer Scott Hutchison, who died in May of last year. See the full list and listen to each selection. Had they been released earlier, they would have been included here. “You Da One” – Rihanna 79. A far cry from his Dinosaur Jr. guitar hero days, this cover further cemented Mascis as one of his generation’s preeminent folk acts as well. —Lizzie Manno, Haim has had enough comparisons to late ‘80s/early ‘90s pop artists for us to have seen this one coming, but that doesn’t make it any less awesome. I Felt Your Shape (The Microphones cover) Among their top-tier covers alongside classics such as “Running Up That Hill” and “I’m on Fire” is “Into the Black,” their take on the Neil Young and Crazy Horse song that Kurt Cobain immortalized in his suicide note. Listen to “Powerful Man” via Amazon Music here and find Bridgers’ performance at the Paste Studio below. “I think that doing a more stripped-down version allowed me to make something that feels emotionally raw.” Cutting away much of the original’s characteristic 1980s clutter and drastically slowing down the delivery, the single does just that. —Scott Russell, The Cranberries seem like one of those artists that shouldn’t be covered. 46. —Lizzie Manno, I was recently informed that Charles Bradley’s “Changes” is, in fact, a cover, and a Black Sabbath cover, no less. “Just Give Me A Reason” – P!nk 78. Perhaps that’s what makes his delivery of lines like “I’m as puzzled as a newborn child / I’m as riddled as the tide” so convincing. Misty’s skills are on full display in “The b.b. Big River (Johnny Cash cover) Liam Clancy may have died last year, but Erland and the Carnival carry the Irish folk torch high (despite being, technically, from London). For all the chatter about formulaic truck songs … Sunflower Bean: “Harvest Moon” (Neil Young), 21. While it’s unclear how Hope Sandoval felt about Mascis’ “Fade Into You,” a cover that doesn’t necessarily one-up Mazzy Star’s original but definitely adds a completely different flavor to it, it wouldn’t be a stretch to say she was pleased by it. When he hasn’t been sitting behind a drumkit with the Dead Weather, Jack White has been perched beside the production boards at his own Third Man Records. The Vatican Cellars earn double points for being the only group on the list to show up on both this year’s list and last year’s, where they delivered Springsteen’s “Darkness on the Edge of Town.” Cello leads this latest folksy duet, which brings to mind Robert Johnson’s idea of the devil more than David Lee Roth’s. It’s hard not to hear the lyrics and think of her past relationships, or to marvel at the fact that—holy crap!—Rihanna is covering a Tame Impala song. Can you guess the number one R&B song in 2010? Big up the Bristol massive! Consequence of Sound reveals its picks for the Top 25 Rock Songs of the 2010s. It’s a beautiful moment that was fortunately captured by the dozen or more filmers who contributed to the video. It’s truly a folk lover’s dream. A competent artist gives the song new life while still respecting the original recording. Well, excuse me for including such an ominous track on 2010's best rap songs list. These artists refreshed and revived songs that didn’t even need improvement—yet, it’s like hearing these tunes for the very first time. “Weird Al” Yankovic It’s that good. cover) Like “Mad World” before it, Lorde took “Everybody Wants to Rule the World” by Tears for Fears for the second Hunger Games installment. “Mercy (ft. Big Sean, Pusha T, & 2 Chainz)” – Kanye West 80. That may seem like a bold move for an artist who was 16 at the time, but her wide-eyed worldview is exactly what makes hearing her sing this song so delightful. 47. After 11 years of Orthodox Jewish schooling, Jesse Rifkin began to doubt his faith. Definition: The term "cover version" originally referred to a rival version of a tune recorded to compete with the recently released version of a song.Eventually it went on to have a more general meaning including any performance or recording by someone other than the original artist or composer of a previously recorded, commercially released song. —Steven Edelstone, Covering Bruce Springsteen is nothing new (and covering “Dancing in the Dark” is nearly obnoxious at this point), but Faye Webster’s version of the Born in the U.S.A. classic is beautiful and interesting in an innocent sort of a way. “My Backwards Walk” is off Frightened Rabbit’s beloved 2008 album The Midnight Organ Fight. 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